Adult-Centered
- A text
in which the adults are portrayed as strong, caring, sometimes superhuman,
knowledgeable individuals, who distribute knowledge and punishment at only
the right times – their knowledge and punishment are always justified in
the text because adults know better than children
- Some
adults in the text may not be strong and caring, but they are the bad
people, not representative
- The
center of authority and power is Adults and Adulthood
- Adults
don’t even have to be present; “Adulthood” alone is a source of authority
– children in the text will even go so far as to punish themselves, doing
it before adults even need to
- The
text portrays a rigid line between Adulthood and Childhood – There is a
time when we are a child, and concerned with things of childhood, and a
time when we are an adult, and concerned with things of adulthood
- Thus
the children portrayed are often nostalgic images of childhood, they act
and behave in innocent ways – encounters with evil, death, violence, sexuality
(all adult concerns) are frightening because they threaten the fragile
time of childhood
- The
text therefore raises typically adult concerns or attitudes: on the one
hand, admiring with wonder how incredible children are (they are so
different from us), on the other hand, being scared for their safety
(because adults need to protect children) – Perfect Example: Finding Nemo (or most Disney films)
- The
text typically reinforces common assumptions about childhood
- Agency,
the freedom to act on one’s behalf, to act meaningfully in the world – in Adult-centered texts children are allowed some degree of agency, but
they are granted it by adults –
typically, children don’t have much agency in children’s literature
because they know less and have fewer experiences than adults
- Also
about the book itself – an Adult-centered book has an authoritative,
strong adult author handing out lessons – child is put in a passive
position, told what to believe – The adult author is right, the child
needs to learn what he or she is saying
Child-Centered –
- A text
in which the children are portrayed are strong, capable, caring, smart,
self-reliant, complex human beings with rich inner lives that are
portrayed complexly by the text
- The text
raises childhood concerns in all of their complexity, about the joys and
fears and trials of being a child – These experiences and emotions are not
portrayed in a nostalgic way – The text asserts that the life of a child
is complicated, and although different from adulthood, involves all of the
feelings of being a human being
- The
center of power rests with children, and childhood
- Children
resolves issues themselves, tackle complicated problems on their own, save
themselves from situations, and count on other children – Perfect Example: opposite of Finding Nemo, movie Spirited Away)
- Adults
are portrayed as fallible, nuanced individuals with rich lives of their
own – they aren’t always perfect, but they share, they learn, they grow –
or they may be absent altogether
- Or
adulthood is looked on with suspicion or mockery – There may be no strong
adults, or adults may be portrayed foolishly – Or adults are good friends,
but they are complicated characters, not static sources of authority and
comfort
- Children
in the text take their own
agency, or wrestle it away from
adults, or assert it in
compelling ways – or they are the source of their own agency
- The
text typically challenges typical adult assumptions about children
- Also,
about the book itself – through ambiguity, or other techniques, children
are encouraged to take power, to not read the text passively, to be active
in making meaning
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What it is not:
Who the main
characters are:
Adults can be completely absent in an adult-centered text
But sometimes in child-centered texts adults are completely
absent (James and the Giant Peach)
Who is telling the story:
Adult-centered text can be told from a child’s point of view
Merely stupid adults:
some texts, like Married With
Children, may ultimately have no center
Questions to ask:
How are adults portrayed?
How are children portrayed?
Are the children portrayed as adults
think of them (almost stereotypically)?
Do the children display characteristics we typically don’t
think they have?
Are the children trying to be protected?
Is there a rigid line between being an adult and being a
child?
Do the children get themselves out of problems?
Who has authority?
What is the text concerned with?
What ideals or assumptions about childhood is the text
asserting?
Who has agency?
How does he or she get it?
How is it displayed?
Do adults give out punishment?
Are they understood to be naturally good people, and are
their rules beyond question?
Is the reader encouraged to be a passive or an active reader?
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CHILD CENTERED?
- Role Reversal
- Different Degrees:
- 1. Child Acts Like an Adult
- 2. Child and Adult Roles are
Switched
- 3. Power relationship is abolished
altogether
- Children are source of their own power
– have agency
- Reader becomes a participant, not simply
a consumer
- The book privileges those things not
sanctioned by typical adulthood:
- Playfulness over seriousness
- Laughter, mocking laughter
- Mocking what is official
- Pointing out that adults are
hypocrites
o The Unofficial versus the official
§
the voice
of children versus voice of authority
§
the underground
newspaper
§
the voice
of the playground
o Bodily functions
§
a love of
things that are gross
o Misbehavior, Mischief
- Self-referential = The book plays with
its own quality as a book, emphasizes that it knows it is a book, that it doesn’t
have a moral or lesson, that it is aware of what books are “supposed” to do