Conservative Elements and Interpellation in Beverly Cleary’s Ramona Series

 

Katie Hampton

ENGL 380-50

 

The Ramona series, by Beverly Cleary, consists of eight books following Ramona from the time she was four until her tenth birthday.  Ramona is the youngest in her family and always seems to be causing trouble.  When Cleary thought up the character, she saw a lot of herself in Ramona.  Both Ramona and Cleary had trouble with reading in elementary school.  Cleary was in the “bluebird” reading group which was the lowest of the groups in her first grade class (Trelease).  Although Cleary was not a good reader at a young age, she, like Ramona, still loved and longed to read.  Therefore she did not hesitate to use large words in her writing.  This goes against common assumptions about childhood, which state that children like books with simple texts and simple stories.  While the Ramona stories are next extensively complex, the text is not simple which challenges children and retains their interest in the story.

While the text was created to challenge common assumptions about childhood, a conservative theme is present throughout the entire Ramona series.  In each of the books, Ramona realizes the wisdom of adults and looks up to the adults.  Each of the adult figures seems to be nearly perfect and do no wrong.  The first example of Ramona’s adoration for adults is seen in her teacher.  “Ramona loved Miss Binney so much she did not want to disappoint her.  Not ever.  Miss Binney was the nicest teacher in the whole world,” (Ramona the Pest, 80).  Ramona sees Miss Binney as perfect although she has faults too simply because she is an adult and that is what is right. 

In the series, Ramona tries to impress her teachers so they will love her.  Ramona is “a bright, creative child who wants to please her teacher but who also enjoys the attention of her peers, [therefore] Ramona experiences some frustrations adjusting to school,” (Poe).  Ramona’s frustrations are shown through her internal struggle about Susan’s curls.  Ramona loves Susan’s curly hair and longs to pull on a curl to watch it boing back, but she knows if she does she will disappoint Miss Binney.  Finally, it becomes too much for her and she gives in to her desire.  Miss Binney saw her and she was punished.  “Ramona was shocked.  Miss Binney did not love her anymore.  The class was suddenly quiet, and Ramona could almost feel their stares against her back as she stood there looking at the floor,” (Ramona the Pest, 163).  Although she knows what she did is wrong, she still believes that no one will love her if she misbehaves.  This thought shows Ramona’s strong admiration for all adults because she does not want to let them down. 

Ramona sees her parents as perfect even though she hears them fight a lot.  Finally, after listening to them fight, Ramona has an outburst and says, “grown-ups aren’t supposed to fight…grown-ups are supposed to be perfect,” (Ramona and her Mother, 112).  This comment shows a very conservative view.  In conservative books, adults are good and have few faults.  By Ramona saying that she believes adults are perfect, she is portraying strong conservative views.

The Ramona series also shows its conservative nature because the text reaffirms common assumptions about childhood and the books are written for children.  Ramona has many experiences in the books that are common to most children.  In Ramona the Brave, she felt that “nobody understood how she felt.  Nobody understood what it was like to be six years old and the littlest one in the family,” (Ramona the Brave, 25-26).  As the youngest in my family, often I felt that no one knew what I was going through.  Like many younger siblings, Ramona is often seen as a pest or a tag-along.  Children can understand this feeling so they can relate to Ramona.  Children can also relate to Ramona’s fear of school.  When Ramona moved from kindergarten into the main building for first grade, she “felt much smaller and less sure of herself as she made her way up the steps of the big brick building with the older boys and girls.  She felt smaller still as they jostled her in the hall on her way to the room she had looked forward to for so long,” (Ramona the Brave, 62).  Most children, as well as most adults, are nervous when entering new situations.  Entering school is something that every child does, so it is something that every child can relate to. 

In the first seven books of the series, Ramona is the youngest child.  Although she often feels left out and like no one understands her, she still likes being the youngest child.  In Ramona Forever, Ramona becomes a big sister and does not like it one bit.  Ramona feels left out and unloved when her parents begin to give attention to her baby sister instead of her.  When Ramona’s parents consciously attempt to give her more attention she quickly gets over her jealousy and falls in love with her baby sister.  This is a problem that many siblings go through.  Any child who has a younger sibling will be able to relate to Ramona’s insecurities about accepting a new member into her family.

Another conservative element that is present in many of the Ramona books is their didactic tone which conveys the typical “lesson” at the end of each of the stories.  In the first of the series, Beezus and Ramona, the sisters are constantly fighting.  Both sisters even go so far as to say that they do not love the other.  In what seems like an epiphany at the end of the story Beezus says, “Maybe that was just the way things were with sisters.  A lovely feeling of relief came over Beezus.  What if she didn’t love Ramona all the time?  It didn’t matter at all.  She was just like any other sister,” (Beezus and Ramona, 157).  This is showing the girls that all sisters fight.  In Ramona and her Mother, Mr. and Mrs. Quimby get into a fight and do not talk all night.  Ramona worries all night and finally speaks her mind the next morning.  Her parents tell her that all parents fight and that is okay.  This conversation between Ramona and her mother is a lesson to children that parents are not perfect and not to worry when they fight.  All of the lessons in the Ramona series are about their family life which is meant to show children that families are not perfect.

The Ramona series also contains interpellation, which is another conservative element of the books.  The most interpellation is seen regarding gender.  Beezus has very typical gender expectations.  When Ramona asks Beezus to read her a book, Beezus replies, “Why did she have to like a book about a steam shovel anyway?  Girls weren’t supposed to like machinery.  Why couldn’t she like something quiet, like Peter Rabbit,” (Beezus and Ramona, 14).  Beezus believes that girls are supposed to like quiet, nice things and loud things like machinery are for boys.  This gender interpellation influences children to believe that that is how things should really be for boys and girls. 

Although the majority of the series is very conservative, some progressive elements are present.  In Ramona and her Father, Beezus and Ramona take on the role of the parents when they give their father a hard time for smoking.  At dinner, Beezus has an outburst and says, “Cigarettes can kill you.  Your lungs will turn black and you’ll die!  We made posters about it at school.  And besides, cigarettes pollute the air!” (Ramona and her Father, 80).  Ramona and her sister take on the role of the adult when they chastise their father for smoking and try to make him quit.  This is the first time that the adults in the series do anything that could be frowned upon.  While this is one progressive element, the entire series is still overwhelmingly conservative.

When writing the series, Cleary hoped to convey childhood, rather than a specific time period.  Cleary says, “I’m writing about growing up.  What interests me is what children go through while growing up.  Some people think the books are more serious, but I think children, as they grow up, are more aware of life’s problems,” (Drennan).  By writing about growing up, Beverly Cleary appeals to a vast number of readers because they are able to relate to her work.  While Cleary tries not to shelter her intended readers from the facts of life, she still presents them in a conservative way. 

 

 

 

 

 

 

 

 

Works Cited

Cleary, Beverly.  Beezus and Ramona.  New York: Morrow Junior Books.  1955.

 

Cleary, Beverly.  Ramona the Pest.  New York: Morrow Junior Books.  1968.

 

Cleary, Beverly.  Ramona the Brave.  New York: William Morrow and Company.  1975.

 

Cleary, Beverly.  Ramona and her Father.  New York: William Morrow and Company.  1975. 

 

Cleary, Beverly.  Ramona and her Mother.  New York: William Morrow and Company.  1979.

 

Cleary, Beverly.  Ramona Forever.  New York: William Morrow and Company.  1984.

 

Drennan, Miriam.  “I Can See Cleary Now.”  August 1999.  29 November 2005.  http://www.bookpage.com/9908bp/beverly_cleary.html

 

Poe, Elizabeth.  “In the Classroom with Beverly Cleary’s Ramona Books.”  26 November 2005.  http://beverlycleary.com/teaching/index.html

 

Trelease, Jim.  “Author Profile: Beverly Cleary.”  28 August 2005.  29 November 2005.  http://www.trelease-on-reading.com/cleary.html